“Why buy a tilt-shift lens?” the journalist opposite me asked. We were enjoying a very nice meal over looking the harbour in Palma, and I was explaining how my own kit was superior to the kit I had been using for some time. He knew the principle, but without images it was trying to describe colour to a bind person. So I’ll run down why I felt it was necessary to invest in better equipment.
Take this image below, it looks nice enough, but architectural photographers would be cringing. Why? The fireplace isn’t that bad…Actually it is, but it came with the house and it’s been replaced by something more in keeping with the property, but I digress. No the problem is with the vertical lines of the room. If you were actually in the room all the lines from the floor to the celling would be parallel. But in the photograph they are not.
Why not? Well in order to get the floor in, I’ve had to lean the camera forward…Look at the way the windows and chimney breast have gone wedge shaped. These are “diverging verticals” as the vertical lines will never meet and are getting further away above the frame. If you photograph tall building and tilt your camera upwards the opposite will happen (converging verticals).
In the now wonderful days for the amateur photographer, they can correct these optical errors in photoshop in a few seconds, but the result is a narrower angle of view as the image would have to be cropped to be published
So instead of resorting to software to correct at a later stage, the film plane has to be vertical, and parallel with the walls, but if we look at what happens when I do that…
I end up with a lot of empty space where nothing is happening at the top of the frame, and anything low down close to the camera gets cropped out, poor cookie monster is only just hanging in there. It is possible to lower the camera to balance out the scene, but if I did that you wouldn’t be able to see what was on any of the surfaces, and anything close to the camera would appear large in the frame.
So, what’s the solution? Buy or hire a tilt-shift lens. Which, as well as doing the fancy out of focus little bit in focus stuff, can also do what’s known as drop front. What this does is move the lens downwards while the film/sensor stays where it is. By doing this it moves the center of projected image on the sensor downwards (remembering that the image is projected onto the sensor upside down and back to front) so what you really see is more of the bottom of the image…like this:
The lens can also do far more interesting things, but I’ll save those for another day – and yes the fireplace really has gone now.
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